
Fields of Interest
Biography
Andrew Nestingen’s research is organized around the question: How does textual form figure in the way people construct, imagine, and regulate their social worlds?
His most recent book is The Cinema of Aki Kaurismäki: Contrarian Stories (2013), published in the Wallflower imprint of Columbia University Press. His Scandinavian Crime Fiction, co-edited with Paula Arvas, was published by the University of Wales Press in 2011. Other books of his include Crime and Fantasy in Scandinavia: Fiction, Film, and Social Change (2008) published by the University of Washington Press in the New Directions in Scandinavian Studies series, and Transnational Cinema in a Global North: Nordic Cinema in Transition (2005), co-edited with Trevor Elkington. He has written articles on Aki Kaurismäki, Stieg Larsson, Leena Lehtolainen, Henning Mankell, Finnish cinema, Nordic cinema, and film authorship, among other topics. He is associate editor of the Journal of Scandinavian Cinema and review editor of Scandinavian Studies.
Research
Selected Research
- Nestingen, Andrew. "Nordic Noir: The Human Criminal," in Homer B. Pettey and Barton Palmer (eds.), International Noir, Edinburgh: University of Edinburgh Press, 2014.
- Andrew Nestingen. The Cinema of Aki Kaurismäki: Contrarian Stories. New York: Columbia Univ. Press, 2013. Pp. viii + 174.
- Andrew K. Nestingen. The Cinema of Aki Kaurismäki: Contrarian Stories. New York: Wallflower (Columbia University Press), 2013.
- Andrew K. Nestingen, Paula Arvas, eds. Scandinavian Crime Fiction. Cardiff: University of Wales Press, 2011. 200 pp.
- Andrew K. Nestingen. Crime and Fantasy in Scandinavia: Fiction, Film and Social Change. Seattle: University of Washington, 2008.
- Andrew K. Nestingen, Trevor G. Elkington, eds. Transnational Cinema in a Global North: Nordic Cinema in Transition. Wayne State University Press: 2005.
- Andrew K. Nestingen. "Timely Subjects: Leena Krohn Between Universal and Particular." Scandinavian Women's Writing: Contemporary Critical Approaches (guest ed. Ellen Rees, spec. issue of Scandinavian Studies) 76.3 (2004): 75-98.
- Andrew K. Nestingen. "Reimagining the Road Movie: Det nya landet (2000), Ariel (1988), and the Transnational Road Movie." Globalisering: Spøkelse eller visjon? (Eds. Kjersti Faldet Listhaug and Sissel Lie). Trondheim: NTNU, 2003. 51-64.
- Andrew K. Nestingen. "Nostalgias and Their Publics: The Finnish Film Boom, 1999-2001." Scandinavian Studies 75.4 (2003): 539-566.
- Andrew K. Nestingen. "Leaving Home: Global Circulation and Kaurismäki’s Ariel." Journal of Finnish Studies 6/1-2 (2002): 5-26.
- Andrew K. Nestingen. Violence and Crime Fiction. In progress.
Research Advised
- Roos, Liina-Ly. "The Child, Affective Memories of War, and Cruel Everyday in Nordic and Baltic Film and Literature." Dissertation. University of Washington, 2018.
- Ruhl, Anna. "Selvgeografi: Placing the Works of Karl Ove Knausgard and Tomas Espedel." Diss., U of Washington, 2016.
- Maren Anderson Johnson. "Post-national Genius: Hans Christian Andersen and Henrik Ibsen." Diss., in progress.
- Wright, Evan P. "Symbolic Ecologies and Intertexual Conservation: An ecocritical analysis of inter-symbolic relationships in Finno-Karelian oral and literary traditions." MA Thesis. University of Washington, 2011.
- Anderson, Maren. "Questioning the genius: Postmodern literary interpretations of Norwegian national literary geniuses Henrik Ibsen and Bjørnstjerne Bjørnson" MA Thesis. University of Washington, 2011.
- Dancus, Adriana Margareta. "Screening the Norwegian Heart: The Cultural Politics and Aesthetics of the Emotions in Norwegian Cinema, 2000-2008." PhD Dissertation. University of Washington, 2009.
- Evan Wright. "Ploughshares to Processors: an ecological critique of technology in Post-War Finnish and American fiction."